Receiving new stock from Jean-Louis Blin is so exciting - there are no catalogues, no websites, no order forms to create a bespoke list; so the very first time I see the jewellery is when it arrives in the shop. With every shipment, Jean-Louis seems to become more innovative and more experimental; always injecting freshness and creativity into his offbeat vintage-style range.
This pair feature a couple of beautiful, upcycled pastel glass stones, rescued from an old piece of jewellery and given a new lease of life in Blin's glamorous gothic mounts.
Taking influence from the Art Nouveau scene that dominated Western Europe, Blin stays true to the Paris of the past by incorporating curvilinear shapes, Edwardian flourishes and fin-de-siecle butterfly motifs into his handcrafted pieces. These traditional elements are effectively blended with edgier components such as carved beetles, hanging curb-chain curtains and ghostly iridescent crystals.
He doesn't skimp on detail or size, meaning his earrings work perfectly paired with minimal accessories, or no accessories at all.
I adore the work of this truly singular designer: someone who has been honing his craft for over forty years and stayed faithful to his own vision of what makes jewellery beautiful.
Emerging designer Heidi Bennett's range is a revelation: hand-produced, unconventional and bursting with bold colour. She was one of my top jewellery discoveries of last year, so I was pleased to become one of her first stockists. I've now topped up my Heidi collection with nine new pairs of earrings for Summer 2016.
Every line is made in small batches, and, since the jewellery is stitched and and finished by hand, no two pairs are exactly alike.
Heidi's eclectic range of influences combine to beautiful effect in her work: folk, gypsy, Russian, '60s bohemian and '40s dressing-table-pearl styles can all be found in the collection (sometimes blended together in one pair!)
Since Heidi works alone at every step of the production process, from the initial product sketches to material sourcing to meticulously crafting the pieces, each earring is a showcase for her passion and skill.
Zoom in on the images to examine the perfection!
Year after year, our range of Marcasite silver proves to be one shop's most adored collections - it seems the glittering jewellery's instantly recognisable, turn-of-the-century look sparks nostalgia in people of all ages, whatever their personal style. We've just added another 30 pieces to our extensive online range, as we predict it'll be very popular come Christmas.
The stones in Marcasite jewellery are actually pieces of Pyrite, a gem that became known as 'Fool's Gold' in the 19th century after gold miners attempted to pass one material off as the other. It was its affordability, however, that ensured the stone's enduring appeal: young Victorian girls could afford to copy the Queen's style by accessorising with a marcasite brooch, while economising 1930s women saw it as a way to wear sparkling, encrusted jewellery without having to face the diamond price tag.
During the 1920s, the gem enjoyed another spell of popularity. It was so ubiquitous that it cropped up on all manner of occasion-wear: belts, headbands, dresses, shoe buckles.
A very Art Deco Luke Stockley design:
Have a look at some nostalgic images in my Inspiration Gallery.
Enjoy browsing the site!